SUMMARY Differencies and particularity of architecture in film and theatre. Scenography – as abstracts (art work), emotional effect. The difference between architecture of everyday life and scenography. Area story. History of scenography. The conditions of dramatic space creation. What does the architecture bring to film and what does the film make for architecture? The difference […]

SUMMARY The article is focused on symptoms and rendering architecture in film and theatre but also in book illustration and promotional graphics. It examines the relationship between architecture and art and attempts to define the effects of architecture to understand the dramatic works through various forms of its presentation. It is oriented to creative interpretation […]

SUMMARY We may go beyond. Although we see the space as the most important attribute of architecture, the space is not just what simply remains between the walls. Loos talks about “Das Prinzip der Bekleidung”, Le Corbusier about The Free Plan, Mies’s Void under “Umbrella”, and this is where Eisenman also belongs. As a writer, […]

SUMMARY The connection of the cinema and architecture is certainly not new, neither in the form of mutual interdisciplinary cooperation nor as an object of theoretical research. What may seem new or very little significant is the attention paid to the sci-fi cinema in architectural theory. Architects often toy with the visions of ideal cities […]

SUMMARY The article is dedicated to the experimental 3D Workshop (it took place from 3.8. – 8.8. 2015) which represents one of the research methods of the dissertation thesis Film cities – Visions, Utopias, Futurism. Up to now, research lacked practical verification of couple of anticipated conclusions, which can be observed through the practical workshop. […]