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central Europe
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SUMMARY In words of art historian Ján Bakoš Slovakia is characterized as a “crossroad of cultures” whose particularity lays in “the sharp clashes of intense but evanescent impulses on the one hand and long-lasting up to conservative traditions” on the other hand[1]. Remelting of the “evanescent impulses“ to the form acceptable by the domestic environment, […]
Are research methods based on the relation of the centre and a periphery still relevant in the context of current architectural historiography? How does one approach an assessment of architectural works in the regions which are traditionally marginalized or completely ignored by western historiography? How does the architecture in the former Communist countries overlap with […]